|  |  |  |  |  |  | 
 | 1 |  |  |  | 1 |  |  |  | John Crowe Ransome. "Captain Carpenter." (handout). |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 2 |  |  |  | Joyce. "An Encounter." |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 2 |  |  |  | 3 |  |  |  | Kipling. The Man Who Would Be King. Thorburn. "Introduction." Initiation. (handout). |  |  | Summary of week 1 lec #2 (maximum two pages). | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 4 |  |  |  | Conrad. Heart of Darkness. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 3 |  |  |  |  |  |  |  | Conrad. Heart of Darkness. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 4 |  |  |  | 5 |  |  |  | Conrad. The Shadow-Line. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 6 |  |  |  | Ford. The Good Soldier. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 5 |  |  |  |  |  |  |  | Ford. The Good Soldier.  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 7 |  |  |  | Kafka. The Metamorphosis. |  |  | First Paper Due. | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 6 |  |  |  |  |  |  |  | Kafka. The Metamorphosis. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  |  |  |  |  |  | Midterm Exam. | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 7 |  |  |  | 8 |  |  |  | D.H. Lawrence. "The Horse-Dealer's Daughter." (handout). |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 9 |  |  |  | Joyce. "Araby," "Two Gallants," "Grace," "The Dead". In Dubliners. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 8 |  |  |  |  |  |  |  | Joyce. "Araby," "Two Gallants," "Grace," "The Dead". In Dubliners. |  |  | Second Paper Due. | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 9 |  |  |  | 10 |  |  |  | Joyce. Chap. 4 - 18 In Ulysses. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 11 |  |  |  | Joyce. Chap. 4 - 18 In Ulysses. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 10 |  |  |  | 12 |  |  |  | Woolf. To the Lighthouse. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  |  |  | Woolf. To the Lighthouse. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 11 |  |  |  | 13 |  |  |  | Faulkner. "That Evening Sun." ___. "Old Man." |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 12 |  |  |  |  |  |  |  | Faulkner. "That Evening Sun." ___. "Old Man." |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  | 14 |  |  |  | Babel. "The Story of My Dovecot." ___. "Crossing the Zbrucz." ___. "Pan Apolek." ___. "My First Goose." ___. "The King." ___. "How It Was Done in Odessa." ___. "The Sin of Jesus." |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 13 |  |  |  |  |  |  |  | Babel. "The Story of My Dovecot." ___. "Crossing the Zbrucz." ___. "Pan Apolek." ___. "My First Goose." ___. "The King." ___. "How It Was Done in Odessa." ___. "The Sin of Jesus." |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  |  |  |  |  |  | Final Exam. | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 14 |  |  |  | 15 |  |  |  | Nabokov. Pale Fire. |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  |  |  | ___. Pale Fire. |  |  | Third Paper Due. | 
 |  |  |  |  |  |  | 
 |  |  |  |  |  |  | 
 | 15 |  |  |  | 16 |  |  |  | Summary perspectives: The Moral Vision of Modern Fiction. |  |  |  | 
 |  |  |  |  |  |  |