ESSAY # | DUE DATES | TOPICS |
---|---|---|
1 | Ses #9 | Write a 5-page essay in which you argue a persuasive point about either one of the following topics: 1. The notion of "ignominy" in The Scarlet Letter. How and why does the novel demonstrate that shame or a shameful past can ultimately be a useful thing? 2. The legacy of the "Uncle Tom" stereotype. How has it taken a life of its own outside the novel from whence it originated? |
2 | Ses #18 | Write a 5-page essay in which you argue a persuasive point about either one of the following topics: 1. The significance of keeping secrets in Woman Warrior. Why is silence golden, and what are the implications of following that code of silence? 2. The sheer brutality, violence, and ugliness of Blood Meridian. What, if anything, is salvageable about all of the violence we encounter here in this novel? What lesson(s) can one extract from all of the blood and gore? |
Revision | Ses #23 | Revise the one essay either with the lowest grade or the one you would most want to revisit because its argument means more to you. Revising this essay will most likely require that you do a massive overhaul of the structure and maybe even the overall argument of the essay itself. Merely inserting conjunctions and transition words at strategic points in the paper or running spell check and grammar check certainly will not suffice. Please consult my suggestions and comments on that essay to guide you along in the revising process and do come by to see me to discuss any problems or even epiphanies you might be encountering. Yay for the miracle of epiphanies! |
3 | Ses #26 | Using evidence from any two texts that you have not yet written about for this course, write a 10-page paper in response to the question E. L. Doctorow poses to literary scholars, such as we are. Recall the question from his "Notes on the History of Fiction": "Why do novelists cross into the historical realm?" Some other follow-up questions you may also want to consider in writing your essay: What good or what harm does that interdisciplinary crossing do for or against the novel, as we know it? Why should novelists cross into the historical realm? Why shouldn't they? What is the "crossing" a sign of? Does this kind of interdisciplinary crossing compromise the integrity of a certain realm of knowledge or realm of expression? Use at least 2 other secondary sources to support your argument. Secondary sources include scholarly journal articles of literary criticism or scholarly books on biographical or historical contexts (FYI: Spark Notes or Cliff Notes do not count as secondary sources). |